DJI RS4 Mini setup notes
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These setup notes are from my early setup and balancing of the DJI RS4 Mini gimbal.  My use of the gimbal is for taking multi-row panoramas, but the various clarifications, etc., may also be helpful for other uses.

A three-axis gimbal is intended to keep a camera pointing in a constant direction.  To do this efficiently the gimbal and camera combination need to be balanced before use, because different camera and lens setups have different weights and centres of gravity (CoGs).

These setup notes were made after I had already used the DJI RS3 Mini gimbal.  The RS4 Mini has a much improved camera clamp system with useful forward ↔ back adjustment and a left ↔ right camera plate, so setup was much simplified.  These notes are for my current lightweight camera system, based on the Sony ZV-E10 II and APS-C lenses.

Initial setup

(See the DJI manual for additional details and images.)

Note that the camera must be firmly attached to the gimbal (the gimbal will shake it around during calibration).

  1. Power off the gimbal and mount the gimbal on a (e.g., table-top) tripod.
  2. Set the switches (smaller than the levers) for all three axes to Auto Lock position.
  3. Set all levers to lock (clamped) position (except camera clamp lever).

  4. Adjust gimbal to working position:
    Unlock roll from Auto Lock, rotate so roll arm horizonal, re-apply Auto Lock.
  5. Add camera + lens (without lens cap but with hood) to gimbal (this assumes clamp plate is already on gimbal and Arca-Swiss plate is on camera) and lock clamp lever; camera should be just short of vertical arm.
  6. Plug USB↔USB cable between camera and RS4 Mini USB-C socket (on rear of tilt arm).
  7. Extend and tilt screen to left as required.
    The position of the screen, camera, and plate affects balance so must always be fitted the same way, e.g., screen out to left, camera plate centred in clamp.

Balancing

Follow the instructions in the manual and tutorial video; this is a summary with some clarifications:

(In all cases, when sliding arms it is helpful to support the weight of the camera with the other hand, especially for the Roll axis.)

  1. Unlock each axis in turn, top-down.
    • Tilt vertical (point lens up) .. “horizontal arm” is that attached to the camera base; the slider to move to adjust is on the (usually vertical but now horizontal arm).
    • Tilt depth (point lens forward) .. adjust camera clamp plate forward and back, using the knob, until balanced.
    • Roll .. lift the weight of the camera to enable smooth sliding.
    • Pan .. start by moving camera CoG over the Pan axis.

  2. Once balanced (and therefore all three axes unlocked), power on gimbal.
  3. Select Calibrate icon on gimbal screen (top left of 4) and then Calibrate.  There will be some juddering during the calibration.

  4. Start Ronin app on smartphone.

Once balanced, the gimbal can be kept assembled and should not need re-balancing (assuming no change of camera/lens).  If adjustments are needed while packing, etc., it is useful to record the arm/slider positions as in the example below – setting these manually should be sufficient to balance the gimbal adequately without re-balancing.

Balance arm positions

As an example, here are the arm positions I use with the Sony ZV-E10 II with two different lenses (including their lens hoods), positioned as described above:

All measures are on the each arm’s scale, using the edge of the slider that gives the smaller value.

Lens:   60mm  18-135mm 85mm
Tilt vertical arm (‘L-bracket vertical’) 3.2 3.6 3.7
Camera clamp rail (front↔back under camera plate) 4.2 2.8 1.9
Roll arm (NB screen out to left and tilted) 3.4 2.7 2.2
Pan arm 1.3 1.3 1.2

The lenses used for the above were:

60mm: Sigma 60mm F2.8 DN Art; 200g

18-135mm: Sony 18–135mm F3.5–5.6 OSS

85mm: Viltrox AF 85mm F1.8 II FE

Other notes


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This page was last edited on 2025-04-02 by mfc.